第四屆跳格國際舞蹈錄像節
The 4th Jumping Frames International Dance Video Festival
城市當代舞蹈團委約作品
Commissioned by City Contemporary Dance Company
(CCDC Logo)
香港藝術發展局資助
Supported by Hong Kong Arts Development Council
香港藝術發展局全力支持藝術表達自由, 本計劃內容並不反映本局意見。
Hong Kong Arts Development Council fully supports freedom of artistic expression.
The views and opinions expressed in the project do not represent the stand of the Council.
DATE 2010/10/29(Fri.) 19:30
2010/10/30-31(Sat-Sun.) 14:30
VENUE 國立臺北藝術大學 展演藝術中心 舞蹈廳
Taipei National University of the Arts – Performing Arts Center – Dance Theater
PERFORMERS 台灣古名伸與香港動藝舞蹈團
Taiwan’s Ku Ming-Shen and Hong Kong’s DanceArt
編舞及舞者:古名伸/舞者:王廷琳、梁家權、黃茹、麥秀慧、陳敏兒
Choreographer and Dancer: Ku Ming-Shen/Dancers: Andy Wang, Francis Leung, Yvette Wong, Antoinette Mak, Abby Chan
Shanghai Expo – Hong Kong Week Closing Performance Hong Kong Sinfonietta: A Soldier’s Story
In Hong Kong & Shanghai, Oct 2010
A collaboration of MUSIC, DANCE, and NARRATION
In this crossover production, Hong Kong Sinfonietta, Music Director Yip Wing-sie and renowned choreographer Yuri Ng recreate the Faustian dark tale of the soldier who traded his violin for a book of fortune. Four leading Asian dance artists: Huang Lei, Shirai Tsuyosho, Jay Jen Loo and Abby Chan will dance to Stravinsky’s witty, highly infectious and intricately written work, The Soldier’s Tale, played by an ensemble of seven musicians. Actor Chu Pak-him, narrating a Chinese text adapted by writer Michael Lam, will portray the devil as well as a merciless commentator.
To complete the programme, the orchestra will play two other musical gems by Stravinsky aptly chosen for the context. The neo-classical work Jeu de Cartes (The Card Game), originally written for a Balanchine ballet, may be recalled during the twists and turns in The Soldier’s Tale, when the soldier became remorseful of his pact with the devil and challenged the devil to a card game, hoping to restore his original life by losing everything he greedily acquired with the devil’s power. The other work, Three Pieces for Clarinet Solo, was written by the composer in gratitude to the sponsor of The Soldier’s Tale during the First World War, the piece will be performed by Principal Clarinet Fong Hiu-kai, Johnny.
Apart from the Hong Kong performance on 15 Oct, this exciting production will also be the closing performance of the Hong Kong Week at the Shanghai World Expo, being also a programme of the China Shanghai International Arts Festival.
In HONG KONG
15.10.2010 (Fri) 8:00pm
Hong Kong Jockey Club Amphitheatre, Hong Kong Academy for Performing Arts
Tickets: $280, $160, $100
At EXPO SHANGHAI
22.10.2010 (Fri) 7:30pm
Shanghai Oriental Art Center Oriental Concert Hall
Tickets: RMB 580 (VIP), 380, 280, 180, 100
For photos, please download from HERE or contact Ms Amanda Mok.
A HKSAR Programme for Expo 2010 Shanghai – Hong Kong Week Closing Programme
Hong Kong Sinfonietta:
A Soldier’s Story
Music Director/Conductor: Yip Wing-sie
Director/Choreographer: Yuri Ng
Narrator: Chu Pak-him
Dance Artists: Huang Lei*, Shirai Tsuyoshi, Jay Jen Loo, and Abby Chan
Clarinet: Fong Hiu-kai Johnny
Adaptation: Michael Lam
*Allowed to perform by the Hong Kong Dance Company
Programme
Stravinsky Three Pieces for Clarinet Solo
Y-Space 15th Anniversary Program
Hong Kong / Poland Multi-media Dance Theatre RE/evolution
An evolution of modernity, a return to the cultural roots
*15.05.2010 (Sat) 8.00pm
16.05.2010 (Sun) 3.00pm
$ 180, $ 120
Auditorium, Kwai Tsing Theatre
* Post-performance Talk
Conceiver, Director & Choreographer: Victor Ma(Hong Kong)、Jacek Luminskyi (Poland)
Dancers: Abby Chan (HK/NY), Victor Ma (HK), Song Nan (Beijing), Mandy Yim (HK)
(Poland) Agnieszka Doberska, Daniel Galaska, Anna Piec, Sebastian Zajkowski
Set Designer: Ewing Chan
Lighting Designer: Alice Kwong
Video Designer: Adrian Yeung
Sound Designer: Him Lo
Stage Manager: Bethia Chan
Deputy Stage Manager: Ho Mei Lin
Producers: Mandy Yim, Catherine Yau
Technology evolves, desires expand, do our lives become more comfortable, or more hectic?
Will history, culture and traditions diminish with the evolution of developments?
How to preserve cultural traditions alongside developments?
How could modern men find a balancing point facing the dichotomy of civilizations/developments/technology and history/culture/traditions?
The cultural crash between the contemporary performing arts elites of Hong Kong and Poland for the first time will explore the intricate relations of cultural traditions and modern technology in today’s world.
RE/evolution is an Exchange / Co-creation Project of Y-Space (HK) and Silesian Dance Theatre (Poland). The work will have its world premiere in Hong Kong in May, and will tour to Poland in participation of the 17th Annual International Contemporary Dance Conference & Performance Festival in 2010.
“Y-Space was excellent….The choreography is well executed. Their performance cuts across cultures”
– The Herald
Silesian Dance Theatre (SDT) (Poland)
SDT is Poland’s first professional contemporary dance company, established in 1991 by Jacek Luminski. Luminski has developed a new dance form and style based on the rich cultural traditions of Poland. The company has toured extensively in Europe and the States. Since 1994, SDT organizes the Annual International Contemporary Dance Conference and Performance Festival, which attracted performing groups from around the world.
23-25.05.2009 Guang Zhou Modern Dance Theatre (China)
9-11.10.2009 Taipei Kuandu Arts Festival (Taiwan)
Inspired by the renowned Chinese tale Butterfly Lovers, the new collaboration of renowned Hong Kong novelist Chan Wai and the two female dancers/choreographers Yeung Wai-mei and Abby Chan. Boot-leg Butter-fly explores the intimate relationship between females as well as their living situation, constraints and competition modern women are facing with, through well structured text, body movement and music. The three female artists are no feminist but are all fascinated by the surprises and creativity of women in todays modern cities, not to mention the struggle between in-born traditions and heritage. The inspiring piece will incorporate new forms of stage performance through the dancers/choreographers edge on presentation and interpretation of the traditional oriental tale. The involvement of renowned artistic director Man Lim-chung in the movie industry will surely bring in artistic and creative surprises to the Chinese as well as international audiences.